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The Historical Context |
Preface: Nature of Painting
Lucian |
On Zeuxis the Painter | |
From the Middle Ages to the Renaissance
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Mary P. Merrifield |
Medieval and Renaissance Treatises on the Arts of Painting, chap. 1 of introduction |
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Master Peter of St. Audemar |
On Making Colours, 150-51 | |
Cennino d'Andrea Cennini |
Il Libro dell'Arte (The Craftsman's Handbook), chaps. 1-34 |
Byzantine Style
12th-Century Italy: Mosaic |
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13th-Century Italy: Bonaventura Berlinghiero |
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13th-Century Italy: Coppo di Marcovaldo |
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14th-Century Italy: Master of the Orcagnesque Misericordia |
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| 14th-Century Russia: Icons |
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Gothic Style
13th-Century Italy: Cimabue |
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14th-Century Italy: Andrea da Firenze |
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14th-Century Netherlands: Melchior Broederlam |
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15th-Century Netherlands: The Limbourg Brothers |
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15th-Century Flemish: Robert Campin |
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15th/16th-Century Netherlands: Hieronymus Bosch |
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16th-CenturyGermany: Matthias Grunewald |
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The Madonna
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Early Renaissance in Italy
Giotto di Bondone |
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Masaccio |
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Benozzo Gozzoli |
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Filippo Lippi |
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Additional Reading
John Addington Symonds, Renaissance in Italy, The Fine Arts
Links
Byzantine Icons, A Brief Guide
The International Gothic Style
Giotto di Bondone, Biography
Masaccio: The Life, The Genius, The Works
© 2003 by Bi-qi Beatrice Lei. All rights reserved.